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Home / What Book Is Hugh Grant Reading at the End of Notting Hill

What Book Is Hugh Grant Reading at the End of Notting Hill

1999 film past Roger Michell

Notting Colina
A poster with a large picture of a woman shaded blue on it is stuck to a wall. A man walks in front of it.

Theatrical release poster
Directed by Roger Michell
Written past Richard Curtis
Produced past Duncan Kenworthy
Starring
  • Julia Roberts
  • Hugh Grant
  • Hugh Bonneville
  • Emma Chambers
  • James Dreyfus
  • Rhys Ifans
  • Tim McInnerny
  • Gina McKee
Cinematography Michael Coulter
Edited by Nick Moore
Music by Trevor Jones

Product
companies
  • PolyGram Filmed Entertainment
  • Working Title Films
Distributed by
  • Universal Pictures (United States)
  • PolyGram Filmed Entertainment (International)

Release dates
  • 21 May 1999 (1999-05-21) (Great britain)
  • 28 May 1999 (1999-05-28) (United States)

Running fourth dimension

 124 minutes
Countries
  • United kingdom of great britain and northern ireland[ane]
  • United states[1]
Language English language
Upkeep $42 million
Box office $363.ix 1000000

Notting Hill is a 1999 romantic comedy motion-picture show directed by Roger Michell. The screenplay was written by Richard Curtis, and the film was produced by Duncan Kenworthy. The movie stars Julia Roberts and Hugh Grant with Rhys Ifans, Emma Chambers, Tim McInnerny, Gina McKee, and Hugh Bonneville in supporting roles. The story is of a romance betwixt a London bookseller (Grant) and a famous American extra (Roberts) who happens to walk into his shop.

Released on 21 May 1999, Notting Loma was well-received by critics and became the highest-grossing British film of all fourth dimension. The motion-picture show was nominated for the Golden Globe Award for Best Motion Picture – Musical or Comedy, with Roberts and Grant also receiving nominations for their performances, while the picture show also earned two BAFTA nominations. Information technology also won a British Comedy Laurels and a Brit Laurels for the soundtrack.

Plot [edit]

William Thacker owns a travel book shop in Notting Loma, London. Divorced, Volition shares a flat with Spike, a flaky and sloppy Welshman. One day, famous Hollywood actress Anna Scott enters the store and buys a book. Shortly afterwards she has left, Will bumps into her while rounding a street corner, spilling his juice on her. He takes Anna to his place that is directly across the street so she tin change into a make clean shirt. When leaving, she impulsively kisses him.

Anna later invites him to visit her at the Ritz Hotel. Upon his arrival he is mistaken for a reporter and ushered into a printing junket for her new film. When asked, he says he writes for Horse & Hound magazine. Anna asks to be William'southward date at his sister's altogether party afterwards that evening. Though his friends are surprised, she gets on well with everyone and enjoys herself. Later, the two enter a private neighbourhood park, where Anna again kisses Volition.

At a restaurant the next twenty-four hour period, Will and Anna eavesdrop four men at a nearby table discussing her, commencement praising and then disparaging her and equating actresses to prostitutes. Will confronts them, then she introduces herself and calmly insults the stunned sextet.

Anna invites Will to her hotel room, only he chop-chop leaves after discovering that her movie star fellow, Jeff King, has unexpectedly arrived from America. Over the next six months, Volition's friends adapt a serial of dates for him, just Will, unable to forget Anna, is uninterested in another relationship.

A road with some cars parked on it next to a line of houses

Ane solar day, a distraught Anna appears at Will's doorstep, needing to hide from a tabloid scandal. She apologises about King and says their relationship is over. They discover shared interests, and discuss Will's print of Marc Chagall's 1950 painting La Mariée. They make dear that dark. The next morning, paparazzi, inadvertently tipped off by Fasten, besiege the house and take photos of Will, Anna, and a one-half-dressed Spike at the forepart door. Furious, she blames Will and leaves.

Several seasons pass, and Volition remains miserable. When he discovers Anna is back in London making a motion picture based on a Henry James novel, something he had suggested, he visits the set unannounced. She asks him to expect until shooting is done, simply he leaves after overhearing her being dismissive about him to some other actor. Anna comes to the bookshop the next day, bringing a wrapped souvenir. Will says he overheard what she said nearly him to her co-star. She explains that she was only keeping her personal life individual from another actor. She confesses she loves him, and pleads to rekindle their relationship. Will says no, explaining he would be too hurt if she left him again.

Will meets his friends and sister at a eating house with Anna's opened gift: Chagall'south original La Mariée (The Bride). They half-heartedly back up his decision about Anna until Spike arrives and calls him a "daft prick". Will realizes his fault, and anybody races across London to find Anna, who is holding a printing briefing at the Savoy Hotel. Volition arrives just equally her publicist announces that Anna is taking a year off and is leaving the UK that night.

A reporter asks about the embarrassing photographs taken at Will'southward apartment, and Anna says they are just friends. Will, again pretending to exist a Horse & Hound reporter, asks her if she would consider being more than than friends if Thacker begged her forgiveness. She says she would, then asks to be asked again how long she plans to stay in England. Smiling, she answers "indefinitely".

Anna and Will ally and she is now pregnant. They spend time in the private park that they had visited on their first date.

Cast [edit]

  • Julia Roberts as Anna Scott
  • Hugh Grant as William "Will" Thacker
  • Hugh Bonneville equally Bernie
  • Emma Chambers as Dear Thacker
  • James Dreyfus every bit Martin
  • Rhys Ifans as Spike
  • Tim McInnerny as Max
  • Gina McKee as Bella
  • Richard McCabe as Tony
  • Dylan Moran as Rufus, the thief
  • Henry Goodman as the Ritz concierge
  • Julian Rhind-Tutt as Time Out announcer
  • Lorelei King as Anna's publicist
  • John Shrapnel as Anna's UK press agent
  • Clarke Peters as Helix atomic number 82 actor
  • Arturo Venegas as role player in Helix
  • Yolanda Vazquez as interpreter
  • Mischa Barton equally 12-year-sometime actress in Helix
  • Emily Mortimer as Perfect Girl
  • Samuel West as Anna's co-star (every bit Sam West)
  • Ann Embankment as William's mother
  • Patrick Barlow as Savoy concierge

Uncredited cast

  • Alec Baldwin as Jeff King
  • Simon Callow as himself in Film-within-Film
  • Joe Cornish equally Fan Receiving Anna's Autograph
  • Matthew Modine as Actor in Film-within-Film
  • Sally Phillips as Caroline (scenes deleted)
  • Romilly Weeks as a invitee at dinner

Casting notes

  • Julia Roberts was the "one and simply" pick for the role of Anna Scott, although Roger Michell and Duncan Kenworthy did not expect her to take. Her amanuensis told her information technology was "the best romantic one-act she had ever read".[2] Roberts said that after reading the script she decided she was "going to accept to practise this".[3]
  • The decision to cast Hugh Grant as William Thacker was unanimous, equally he and Richard Curtis had a "writer/actor spousal relationship made in heaven". Michell said that "Hugh does Richard better than anyone else, and Richard writes Hugh amend than anyone else", and that Grant is "one of the only actors who can speak Richard's lines perfectly".[2]
  • Mischa Barton appears as the child actor whom Volition pretends to interview for Horse & Hound.
  • The casting of Bonneville, McInnerny, McKee, Chambers, and Ifans as Will'southward friends was "rather like assembling a family". Michell explained that "When you are casting a conduce of friends, you have to cast a balance of qualities, of types and of sensibilities. They were the jigsaw that had to exist put together all in one go, and I think we've got a very good variety of people who tin can realistically still live in the same world."[ii]
  • Sanjeev Bhaskar has a cameo role as a loud and offensive restaurant patron (who refers to 1000000 Ryan every bit "the extra who has an orgasm every time she'southward taken out for a cup of coffee") in the eating house Anna and Will visit.[4]
  • Omid Djalili makes an uncredited cameo equally the vendor who sells Will the orange juice that he accidentally spills on Anna moments later.

Production [edit]

"I would sometimes wonder what it would exist like if I simply turned up at my friends' house, where I used to have dinner one time a week, with the most famous person at that time, exist it Madonna or whomever. Information technology all sprang from there. How would my friends react? Who would try and be absurd? How would you get through dinner? What would they say to you lot afterwards?"
– Richard Curtis[five]

Richard Curtis developed the flick from thoughts while lying awake at night. He described the starting bespeak as "the idea of a very normal person going out with an unbelievably famous person and how that impinges on their lives".[5] In an interview with GQ in 2018, Hugh Grant claimed the film was based on real life and loosely followed a friend of Richard's who cruel in love with an 'extremely earth-famous person who [Grant wasn't] allowed to mention'.[6] Much similar the motion-picture show, Curtis's friend was an everyday person who met the well known celebrity in a store (Harrods) and they concluded up having a relationship. [7]

The film has been likened to "a ninety'due south London-set version of Roman Holiday".[8] Nevertheless, Curtis has said that he had not seen the 1953 film.[9]

4 Weddings and a Funeral managing director Mike Newell was approached but rejected it to work on Pushing Tin. He said that in commercial terms he had made the wrong decision, but did not regret information technology.[ten] The producer, Duncan Kenworthy, and so turned to Roger Michell, maxim that "Finding someone every bit good as Roger, was just like finding the right actor to play each role. Roger shone out."[2]

Curtis chose Notting Loma as he lived there and knew the area, saying "Notting Colina is a melting pot and the perfect place to set up a pic". This left the producers to movie in a heavily populated area. Kenworthy noted "Early on, we toyed with the idea of edifice a huge outside fix. That way we would have more control, because we were worried almost having Roberts and Grant on public streets where we could get thousands of onlookers." In the end they decided to moving picture in the streets. Michell was worried "that Hugh and Julia were going to plow up on the outset twenty-four hours of shooting on Portobello Road, and there would exist gridlock and we would exist surrounded by thousands of people and paparazzi photographers who would forbid united states from shooting". The location squad and security personnel prevented this, as well as preventing issues the presence of a moving picture crew might have caused the residents of Notting Loma, who Michell believes were "genuinely excited" almost the film. Location manager Sue Quinn described finding locations and getting permission to movie as "a mammoth chore". Quinn and the rest of her team had to write to thousands of people in the surface area, promising to donate to each person'south favourite clemency, resulting in 200 charities receiving coin.[11]

"The major trouble we encountered was the size of our film unit. Nosotros couldn't only become in and shoot and come out. Nosotros were everywhere. Filming on the London streets has to exist done in such a style that information technology comes up to health and safety standards. At that place is no such thing as a road closure. We were very lucky in the fact that we had 100% cooperation from the police and the Council. They looked favorably on what nosotros were trying to do and how it would promote the surface area."
– Sue Quinn[11]

Stuart Craig, the production designer, was pleased to exercise a gimmicky film, saying "we're dealing with streets with thousands of people, marketplace traders, shop owners and residents which makes it really complex".[11] Filming began on 17 April 1998 in West London and at Shepperton Studios.[2] Volition's bookshop was on Portobello Road, one of the chief areas in which filming took place. Other places within Notting Hill included Westbourne Park Road, Golborne Road, Landsdowne Road and the Coronet Cinema.[11] Will'southward house, 280 Westbourne Park Road, was endemic by Richard Curtis and backside the entrance there is a grand house, non the flat in the motion-picture show that was made upward in the studios. The blueish door was auctioned for charity. The current door is bluish again. The Travel Book Store is located at 142 Portobello Road.[12] After filming for vi weeks in Notting Hill, filming moved to the Ritz Hotel, where work had to take place at night, the Savoy Hotel, the Nobu Restaurant, the Zen Garden of the Hempel Hotel and Kenwood House.[11] One of the final scenes takes place at a motion picture premiere, which presented difficulties. Michell wanted to film at Leicester Foursquare but was declined. Police had constitute fans at a Leonardo DiCaprio premiere problematic and were concerned the same might occur at the staged premiere. Through a health and safety act, the production received permission to film and constructed the scene in 24 hours.[eleven] Interior scenes were the last to be filmed, at Shepperton Studios.[11] The last cut was 3.5 hours long, 90 minutes edited out for release.[13]

The film features the 1950 Marc Chagall painting La Mariée ("The Bride"). Anna sees a print of the painting in William'southward home and later gives him what is presumably the original. Michell said in Amusement Weekly that the painting was called because Curtis was a fan of Chagall'southward work and considering La Mariée "depicts a yearning for something that's lost." The producers had a reproduction fabricated for the film, but had to get permission from the owner as well as clearance from the Design and Artists Copyright Guild. Finally, according to Kenworthy, "we had to agree to destroy it. They were concerned that if our fake was too practiced, it might float around the market and create issues." The article also noted that "some experts say the real canvas could be worth between Us$500,000 and US$1million."[14]

The film features the volume Istanbul: The Imperial Urban center (1996) by John Freely. William recommends this book to Anna, commenting that (unlike another book in the store) the author has at least been to Istanbul. In reality, Freely taught at Boğaziçi University in Istanbul,[15] and was the author of 9 books nigh the city.

In the last scene of the film, Will is shown reading the 1994 book Captain Corelli's Mandolin by Louis de Bernières. This was to have been Roger Michell's side by side film just a eye assault forced him to withdraw from the production.

Soundtrack [edit]

Original music was composed past Trevor Jones.[16] A main score was written, and excerpts were used throughout the film. The score was cleaved down into two songs for the soundtrack (Will and Anna/Notting Hill). Several boosted songs written by other artists include Elvis Costello's embrace of the Charles Aznavour song "She". Charles Aznavour's original version can be heard during the opening credits while Elvis Costello'southward version is played at the cease of the moving picture (before the stop credits). Other songs are Shania Twain's remixed version of "You've Got a Way", besides as Ronan Keating's specially recorded cover of "When You Say Nothing at All"; the song reached number one in the British charts. Pulp recorded a new song "Born to Cry", which was released on the European version of the soundtrack anthology.

The song played when Will strides down Portobello Road is "Ain't No Sunshine" by Bill Withers. Tony and Bernie play "Bluish Moon" on the piano at Tony's restaurant on the night it closes.[17] Originally, Charles Aznavour'southward version of "She" was used in the film, only American test screening audiences did not answer to it. Costello was so brought in by Richard Curtis to record a comprehend version of the song.[18] Both versions of the song announced in non-U.s. releases.

The soundtrack album was released past Island Records.

U.s. version track list

  1. "No Matter What"– Boyzone
  2. "Y'all've Got a Mode" (Notting Hill remix)– Shania Twain
  3. "I Do (Cherish Yous)"– 98 Degrees
  4. "She"– Elvis Costello
  5. "Ain't No Sunshine"– Neb Withers
  6. "How Can You Mend a Cleaved Centre"– Al Dark-green
  7. "Gimme Some Lovin'"– The Spencer Davis Grouping
  8. "When You Say Goose egg at All"- Ronan Keating
  9. "Ain't No Sunshine"– Lighthouse Family
  10. "From the Center"- Some other Level
  11. "Everything About Yous"- Steve Poltz
  12. "Volition and Anna"– Trevor Jones (Score)
  13. "Notting Hill"– Trevor Jones (Score)

The film score and original music was recorded and mixed past Gareth Cousins (who also mixed all the songs used in the film) and Simon Rhodes.

Certifications [edit]

Release [edit]

The picture show had its premiere at the Odeon Leicester Square on 27 April 1999[30] and opened in the Britain on 21 May 1999 and in the U.s.a. the following week.

Disquisitional reception [edit]

On Rotten Tomatoes the film holds an approval rating of 83% based on 100 reviews, with an average rating of vii.i/ten. The website's critical consensus reads: "A rom-com with the correct ingredients, Notting Hill proves there's zip similar a honey story well told – especially when Hugh Grant and Julia Roberts are your leads."[31] On Metacritic the flick has a weighted average score of 68 out of 100 based on 34 critics, indicating "generally favourable reviews".[32] Audiences polled past CinemaScore gave the moving-picture show an average grade of "B+" on an A+ to F scale.[33]

Variety's Derek Elley said that "It's slick, it'south gawky, information technology'southward 10 minutes also long, and information technology's certainly non "4 Weddings and a Funeral Part two" in either structure or overall tone", giving information technology an overall positive review.[34] Cranky Critic called it "Encarmine damned expert", as well equally maxim that information technology was "A perfect date flick."[35] Nitrate said that "Notting Colina is whimsical and light, fresh and quirky", with "endearing moments and memorable characters".[36] In his review of the film's DVD John J. Puccio noted that "the movie is a fairy tale, and writer Richard Curtis knows how much the public loves a fairy tale", calling it "a sweetness motion picture".[37] Desson Howe of The Washington Post gave the film a very positive review, especially praising Rhys Ifans' functioning equally Spike.[38] James Sanford gave Notting Colina iii and a one-half stars, saying that "Curtis' dialogue may exist much snappier than his sometimes dawdling plot, but the commencement hour of Notting Hill is so beguiling and consistently funny it seems churlish to complain that the rest is merely good."[39] Sue Pierman of the Milwaukee Journal Scout stated that "Notting Hill is clever, funny, romantic– and oh, yes, reminiscent of Four Weddings and a Funeral", but that the motion picture "is so satisfying, information technology doesn't pay to nitpick."[twoscore] Roger Ebert praised the film, saying "the picture is bright, the dialogue has wit and intelligence, and Roberts and Grant are very easy to like."[41] Kenneth Turan gave a skillful review, concluding that "the motion picture'due south romantic core is impervious to problems".[42] CNN reviewer Paul Clinton said that Notting Hill "stands alone as another funny and heartwarming story nigh love confronting all odds".[43]

Widgett Walls of Needcoffee.com gave the flick "three and a half cups of coffee", stating that "the humor of the moving picture saves it from a completely trite and unsatisfying (nay, shall I say enraging) catastrophe", but criticised the soundtrack.[44] Dennis Schwartz gave the moving picture a negative review with a grade of "C-" citing "this film was pure and unadulterated balderdash".[45] Some criticised the picture show for giving a "sweetened unrealistic view of London life and British eccentricity."[46] The Independent derided the film for existence unrealistic.[47] In particular, the film was criticised for failing to reflect the demographic of the area: "only Curtis could write a picture show virtually Notting Hill, London's most various civic, and not feature a single blackness face in information technology."[48] [49]

Lists [edit]

Notting Hill was 95th on the British Film Found's "list of the best top 100 films", based on estimates of each motion picture's British cinema admissions.[4]

Box function [edit]

The film opened over the Memorial Day weekend in the United States and Canada, the same weekend equally Star Wars: Episode I – The Phantom Menace, and opened at number two for the weekend, grossing US$27.sevenone thousand thousand over the 4-mean solar day weekend, the biggest opening for a romantic comedy picture, beating My Best Friend's Hymeneals (which also starred Julia Roberts).[50] [51] Notting Hill made another US$fifteenone thousand thousand the following week.[52] [53] One month afterwards its release, Notting Hill lost its record for highest-grossing opening weekend for a romantic one-act motion-picture show to Runaway Bride (once more starring Roberts).[54] The film grossed £31 million in the Great britain[55] (the second highest-grossing picture of 1999 backside The Phantom Menace) and US$116,089,678 in the Usa and Canada (the sixteenth highest-grossing film of 1999),[56] with a worldwide gross of United states of america$363,889,678,[57] making it the highest-grossing British film of all time, surpassing the record ready by Iv Weddings and a Funeral in 1994 (also starring Hugh Grant),[55] and the seventh highest-grossing picture of 1999.

Awards and nominations [edit]

Notting Hill won the Audience Award for Well-nigh Popular Motion-picture show at the BAFTAs in 2000,[58] and was nominated in the categories of The Alexander Korda Award for Outstanding British Motion picture of the Twelvemonth, and Best Performance past an Actor in a Supporting Function for Rhys Ifans.[59] The film won All-time Comedy Film at the British Comedy Awards.[60] The pic'south soundtrack won Best Soundtrack at the 2000 Brit Awards, beating Star Wars: Episode I – The Phantom Menace.[61] The film won Best British Film, All-time British Director for Roger Michell, and All-time British Actor for Hugh Grant at the Empire Awards.[62] The pic received three nominations at the Golden Globes, in the categories Best Picture– Comedy/Musical, All-time Motion Picture Actor– Comedy/Musical for Hugh Grant, and Best Motion Picture Actress– Comedy/Musical for Julia Roberts.[63]

References [edit]

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  46. ^ Brook, Tom (5 June 1999). "Money takes over the movies". BBC News Online. Retrieved 22 March 2008.
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  48. ^ Adams, Tim (22 March 2009). "A shiny, happy place, relaxed most the filthy rich, insatiable in its optimism, in love with happy endings, and very New Labour. Welcome to Curtisland ..." The Observer . Retrieved 17 November 2018.
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  57. ^ "NOTTING Hill". Box Office Mojo . Retrieved 20 May 2007.
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  59. ^ "Bafta nominations in total". BBC News Online. 1 March 2000. Retrieved 22 May 2007.
  60. ^ "The By Winners 1999". British Comedy Awards. Archived from the original on 29 Oct 2010. Retrieved 22 May 2007.
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  62. ^ "What are they doing?". British Theatre Guide. 20 February 2000. Archived from the original on vi June 2007. Retrieved 21 May 2007.
  63. ^ "Notting Loma". TheGoldenGlobes.com. Archived from the original on 17 October 2007. Retrieved 22 May 2007.

External links [edit]

  • Notting Hill at IMDb
  • Notting Hill at the TCM Pic Database
  • Notting Loma at AllMovie
  • Notting Hill at the American Picture show Institute Catalog
  • Notting Hill at Box Office Mojo
  • Notting Hill at Rotten Tomatoes
  • Notting Hill at Metacritic

What Book Is Hugh Grant Reading at the End of Notting Hill

Source: https://en.wikipedia.org/wiki/Notting_Hill_(film)